LABCINE

Universidade Presbiteriana Mackenzie

bibliografia | bibliography

Bibliografia | Bibliography

  • ALMEIDA, Jane de. “4K: imagens de quatro quilates/Eight Million Pixels in 4K images” in Perissinotto, P. & Barreto, R. (Ed.) FILE 2008 000 000. São Paulo: IMESP, 2008. pp. 18-25.
  • ALMEIDA, Jane de. “Fótons, escalas, redes, grids: Novas matérias e processos do cinema/Photons, scales, nets, grids: New film materials and processes” in Perissinotto, P. & Barreto, R. (Ed.) FILE 10 Nurbs Proto 4KT. São Paulo, IMESP, 2009. pp. 38-39.
  • ALMEIDA, Jane de; SILVA, Cícero. “Arte, ciência e inovação: A prática da interdisciplinaridade/Art, science and innovation: The practice of interdisciplinarity” in Perissinotto, P. & Barreto, R. (Ed.) FILE 10 Nurbs Proto 4KT. São Paulo: IMESP, 2009, pp. 33-37.
  • ALMEIDA, Jane de (Org.). Alexander Kluge: O quinto ato. São Paulo: Cosac & Naify, 2007.
  • ASCHER, Steven; PINCUS, Edward. The Filmmaker’s Handbook: A Comprehensive Guide for the Digital Age. New York: Plume, 2007.
  • BROWN, Sheldon. “Why Fi? 4k Fidelity in Scalable city” in Perissinotto, P. & Barreto, R. (Ed.) FILE 2008 000 000. São Paulo, IMESP, 2008. pp. 26-32.
  • CRARY, Jonathan. Suspensions of Perception: Attention, Spectacle, and Modern Culture. Cambridge: MIT Press, 2001.
  • CRARY, Jonathan. Techniques of the Observer on Vision and Modernity in the Nineteenth Century. Cambridge: MIT Press, 1992.
  • CRUZ-NEIR et al. “The Cave: audio visual experience automatic virtual environment” in Communications of the ACM, Junho, 1992.
  • DANIEL, J. S. et al. “The varrier autosterioscopic virtual reality display” in ACM Transactions on Graphics, in: Proceedings of ACM Siggraph 2005, Los Angeles, CA, 31 de julho a 4 de agosto de 2005, vol. 24, no. 3, pp. 894-903.
  • DeFANTI, T. A. et al. “The OptIPortal, a scalable visualization, storage, and computing interface device for the OptiPuter” in The International Journal of Future Generation Computer Systems Grid Computing: theory, methods & applications, vol. 25, issue 2, Feb. 2009, pp. 114-125.
  • FINKELNSTEIN, Adam et ai. “Data distribution strategies for high-resolution displays” in Computers & Graphics 25 (5), 200, pp. 811-818.
  • GUNNING, Tom. D. W. Griffith and the Origins of American Narrative Film: The Early Years at Biograph. University of Illinois Press, 1991.
  • GUNNING, Tom. “From Kaleidoscope to the X-Ray: Urban Spectatorship, Poe, Benjamin and Traffic is Souls (1913)” in Wide Angle, Vol. 19, no. 4, pp. 25-63.
  • GUNNING, Tom. “Tracing the Individual Body AKA Photography, Detectives, Early Cinema and the Body of Modernity” in Vanessa R. Schwartz and Leo Charney (ed.). Cinema and the Invention of Modern Life. San Francisco: University of California Press, 1995.
  • GUNNING, Tom. “An Aesthetic of Astonishment: Early Film and the [In]Credulous Spectator” in Linda Williams (Ed.). Viewing Positions. New Brunswick: Rutgers, 1995.
  • GUNNING, Tom. “The Cinema of Attractions: Early Film, Its Spectator and the Avant-Garde”; in Thomas Elsaesser and Adam Barker (Eds.). Early Film. London: British Film Institute, 1989.
  • HANSEN, Miriam. “Early cinema, late cinema: Permutations on the public sphere” in Oxford, Screen, 1993 no. 3, v. 34. pp. 201-220.
  • INOUE, T. et al. “Design and implementation of advanced multicast router based on cluster computing” in: Proceedings ICPASDS 2005, vol. 1, 2005, pp. 328-335.
  • JEONG, B. et al. “High-performance dynamic graphics streaming for scalable adaptive graphics environment” in: Proceedings of SC06, Novembro de 2006, p. 24.
  • KRESSEL, Henry. Competing for the Future: How Digital Innovations are Changing the World. Cambridge: Cambridge University Press, 2007.
  • LEIGH, J. et al. “The global lambda visualization facility: an international ultra-high definition wide-area visualization collaborator” in Future Generation Computer Systems 22, 2006, pp. 964-971.
  • Machado, Arlindo. A televisão levada à sério. São Paulo: Senac, 2005
  • Machado, Arlindo. Pré-cinemas & pós-cinemas. Campinas: Papirus, 1987.
  • MAMBRETTI, Joe e TRAVOSTINO, Franco (Eds). Grid Networks: Enabling Grids with Advanced Communication Technology. West Sussex: Willey, 2006.
  • MANOVICH, Lev. “Efeitos de Escala: 4K” in Perissinotto, P. & Barreto, R., FILE 2008 000 000. São Paulo, IMESP, 2008.
  • MANOVICH, Lev. The language of new media. Cambridge: MIT Press, 2001.
  • McKERNAN, Brian. Digital Cinema: The Revolution in Cinematography, Post-Production, and Distribution. New York: McGraw-Hill/TAB Electronics, 2005.
  • NICHOLS, Bill. Introdução ao documentário. Campinas: Papirus, 2005.
  • OHTA, Naohisa. Packet Video: Modeling and Signal Processing. Artech House Telecommunications Library, 1994.
  • OHTA, Naohisa. Super-High-Definition Images: Beyond Hdtv. Artech House Telecommunications, 1995.
  • RAMOS, Fernão. Mas afinal… o que é mesmo documentário? São Paulo: Senac, 2008.
  • SAKAMOTO, H. et al. “The ‘4K Pure Cinema’ Joint Digital Cinema Trial”, in NTT Technical Review, Vol. 4, No. 7, 2006. pp. 18–22
  • SHIRAI, D. et al. “Real time switching and streaming transmission of uncompressed 4K motion pictures” in: The International Journal of Future Generation Computer Systems Grid Computing: theory, methodos & applications, vol. 25, issue 2, Feb. 2009, pp. 192-193. 16
  • SHIRAI , D. et al. “4K SHD real-time video streaming system with JPEG 2000 parallel codec” in: Proc. IEEE APCCAS 2006, Dezembro de 2006, pp. 1855-1858.
  • SHIMIZU, T. et all. “International real-time streaming of 4K digital cinema” in Future Generation Computer Systems 22 (8), 2006. pp. 929-939.
  • TAKAHASHI, H. et al. “Multipoint Streaming Technology for 4K Super-high-definition Motion Pictures” in NTT Technical Review, Vol. 4, No. 7, 2006.http://en.wikipedia.org/wiki/Digital_cinema.
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